No Mercy, No Future

No Mercy, No Future (German: Die Berührte, "The Touched") is a 1981 West German drama film directed by Helma Sanders-Brahms.

Veronika Christoph, the troubled daughter of uncaring bourgeois parents, has been institutionalized due to her schizophrenia.

Without proper psychiatric treatment for her unearthly visions, she prowls the streets along the Berlin Wall at night in search of God, yet settles for the company of strange, exiled men.

[1] Thomas Elsaesser, author of European Cinema: Face to Face with Hollywood, wrote that No Mercy, No Future was a "relative" failure in the commercial and critical aspects compared to Germany, Pale Mother and that the situation "may have led Sanders-Brahms in the direction of the European art cinema.

Critic Michael Atkinson praised the film as a "classic, show-it-all acting coup that doesn’t wriggle free of your memory very easily.