Noel Taylor (costume designer)

[1] He was arrested by for attending pro-Jewish meetings, but was released by an Austrian interrogator after four days and returned to the United States.

He went on to design costumes for more than 70 Broadway productions, including the original productions of Stalag 17 (1951), Bernardine (1952), Dial M for Murder (1952), The Teahouse of the August Moon (1953), No Time for Sergeants (1955), Auntie Mame (1956), The Body Beautiful (1958), Tall Story (1959), Write Me a Murder (1961), The Night of the Iguana (1961) and (1976), Great Day in the Morning (1962), One Flew Over the Cuckoo's Nest (1963), What Makes Sammy Run?

He also designed costumes for revivals of Twentieth Century (1950), The Wild Duck (1951), The Apple Cart (1956), Strange Interlude (1963), A Funny Thing Happened on the Way to the Forum (1972), Mourning Becomes Electra (1972), The Glass Menagerie (1994), and The Gin Game (1997).

He continued to design costumes for television up into the mid-1990s, garnering further Emmy nominations for Eleanor, First Lady of the World (1982) and Ironclads (1991).

He also designed costumes for seven feature films during his career, including Mrs. Pollifax-Spy (1971), Rhinoceros (1974), An Enemy of the People (1978), and The Legend of the Lone Ranger (1981).