The zine's visual narrative of vulnerability deliberately counters its textual power where she expresses her anger at her treatment as a young fat woman.

Originally, the record company Talent Show sought to compile the work of the various bands with whom she performed as frontwoman, but Lamm chose to re-record the music as a solo project.

Effigy, released by Yoyo Recordings, represented a departure for Lamm, with electronica replacing the sparse production of her previous work.

Lamm continued to publish zines, and she also gave theatrical college lectures on fat oppression, sometimes dressed in fairy wings and waving a magic wand.

[6] Lamm also toured as part of the spoken word performance troupe, Sister Spit, and wrote as a regular columnist for Punk Planet magazine.

From January 2004 until May 2005, Lamm co-hosted a monthly genderqueer open mike variety show called The Finger with Ana Jae.

[13] Lamm held an artist talk and creative process workshop for students and the Olympia community on June 6, 2019, at the Kenneth J. Minnaert Center for the Arts Black Box Theater.

Their most recent release, "Honey", was written and recorded for the Sins Invalid production "We Love Like Barnacles: Crip Lives in Climate Chaos," which had streamed Oct 23, 24, 25, 2020.

[20][21] Her totem animal, is a seal, described by artist Riva Lehrer as "seen as cute and puppy-like with their enormous eyes and neotenous faces" but also predators[22] Lamm lives on what she has identified as Squaxin, Nisqually, and Chehalis land in Olympia, Washington with her partner Lisa, along with cats and dogs.