[5][6] From 1994 to 1999 Norbert Bisky studied painting at Hochschule der Künste in Berlin where he was a Master Student of Georg Baselitz and at the Salzburg Summer Academy in the class of Jim Dine.
Personal loss, the experience of terror, travels to Brazil and media reports inspired him to examine subjects such as violence, sexuality and destruction symbolized by figures, in many cases floating, falling or tumbling without any gravitational axis.
[11][12] Firmly established in the public conscience through media images following the September 11 attacks, these falling figures explore the transience of youth, the loss of autonomy, isolation and the disintegration of modern civilization.
The aesthetic tumult surrounding the figures is punctuated by the cross pollination of cues from Christian ideology, art history, gay culture, pornography and apocalyptic visions.
[16] Since May 2017 Norbert Bisky's large-format painting "Vertigo" is prominently displayed in Berghain's entrance hall as part of the club's art concept, which also features works by Wolfgang Tillmans and Joseph Marr.