Norman Bedard's experimental, minimal electro sound was therefore remodeled to cater to the dance club scene as evident on his debut, Be My Human Tonight (RCA).

Person(a), released in 1987, was a conceptual collection of synthpop songs reflecting a young man's own vision of life, and featuring keyboardists such as Lenny Pinkas (Men Without Hats), Mario Spezza (Rational Youth) and Mic Lussier.

On stage, careful attention was paid to set design and visual effects; Bedard would then sometimes only be backed by a pre-recorded soundtrack and live vocalists such as Claudine Mercier and Louise Litsz, giving them entire freedom to use props and screens, a style made popular by American performance artist Laurie Anderson.

Committed to his craft, and now on his own, Norman Bedard continued writing songs, working with collaborators such as Kevin Komoda (Rational Youth, Sarah McLachlan),[9] and self-produced several pre-prod albums not available commercially, which revealed a more subdued side.

Adrian Cooke, in a review for Maverick, called "Sleepytime" "a pop-flavoured song", saying "this is a gentle lullaby with sensitive vocal assisted by ethereal harmonies.

Writer Jack Foley of IndieLondon called "Space" a "chilled pop record" and "the sort of offering that has an instant catchy appeal to it".