Hip-hop in the Pacific Northwest

For many years the scene existed mainly as an underground genre, but Northwest hip-hop has seen increased mainstream acceptance in the 21st century, with artists such as Macklemore gaining nationwide attention.

Many of the local underage clubs and high schools in South Seattle held formal contests called bop-offs where dancers would compete against one another.

[3] Fresh Tracks was a two hour show that played on Sunday nights on KKFX 1250 ("KFOX" and formerly KKDZ), and consisted of a mix of new songs and a mastermix created by Nasty Nes.

[6] Nastymix Records, the Northwest's first hip-hop label was founded with the local release of Sir Mix-A-Lot's "Square Dance Rap".

[7] Def American[8] released Sir Mix-A-Lot's 1992 #1 hit "Baby Got Back", which won a Grammy Award for Best Rap Solo Performance.

In 1993, Jonathan "Wordsayer" Moore of Source of Labor approached Caroline Davenport of Tasty Shows, who was responsible for booking a popular Seattle venue called RCKCNDY.

Funk Daddy,[9] Gangsta Nut, Dee Lyrious, Crooked Path, Mob Related, Self-Titld were from Seattle and Bosko, Cool Nutz, Maniak Loc & CN, Hakim & J-Mack were from Portland, Oregon.

The social turmoil of Seattle during the late 1990s (The World Trade Organization Protest), the city's outspoken political opposition to President George W. Bush, and the despised Teen Dance Ordinance characterized the socially conscious style that defined Northwest hip-hop after 1993, a style that was continually strengthened as the hip-hop culture was attacked and labeled as violent and disruptive.

Winetime then took Midwest/local artist Tony-O and climbed the Billboard charts in 1998 and 1999 peaking at #14 in Rap Singles with a song called "PHD (Playa Hater Degree)".

[14][15][16][17] A new wave soon emerged in the late 2010s with numerous artists exhibiting influences from across the United States as Alaska's population continued to grow with incentives for employment and residence.

[23] Another section was dedicated to breakdancing, highlighting some of the early b-boys and b-girls in the Seattle scene as well as well-known groups like the Massive Monkees.