Nevertheless, they were often referred to as the "venecianos" (Venetians), in allusion to one of the poems in the anthology, Oda a Venecia ante el mar de los teatros ("Ode to Venice in front of the theatre sea") by Pere Gimferrer.
This anthology was the birth certificate of the poetic group, and it appeared divided in two sections: The group's characteristics are: Their literary formation was fundamentally foreign and cosmopolitan, which meant: The poetics included in the anthology declare, above all, the primacy of language and style, and express an enormous scepticism in the value of poetry and in the occupation of the poet.
Basically, two tendencies coexisted inside the group: the culturalist (Guillermo Carnero, José María Álvarez, Pere Gimferrer), and the tendency connected to pop aesthetic, counterculture or pop culture (Manuel Vázquez Montalbán, Leopoldo María Panero).
A generation of Puerto Rican artists coming of age in the 1990s have been referred to as "Los Novísimos" after art critic Manuel Alvarez Lezama applied the moniker to them in a 1995 review.
[1] According to curator Deborah Cullen, artists of the generation born after 1964, including Nayda Collazo-Llorens, Yvelisse Jímenez, Charles Juhász-Alvarado, Freddie Mercado, Ana Rosa Rivera Merrero, Fernando Paes, José Jorge Román, Carlos Rivera Villafañe, Eric Hayden French Circuns and Aaron Salabarrías Valle, as well as the US and Cuban born duo, Allora & Calzadilla, continued "working in experimental, site-specific and nontraditional modes begun in earlier generations, by artists such as Rafael Ferrer and Rafael Montañez Ortiz, and then Antonio Martorell, José Morales, and Pepón Osorio.