[13] Although more critical, Paris Match places itself in the same logic, speaking of a “solid and strong film, in the continuity of investigative works like Flight 93 or Zero Dark Thirty”.

[14] In the more mixed reviews, the site Ecran Large, the movie was "tense and finely observant during its first half" but "falls apart as it fails to develop a relevant point of view, or to treat all his characters appropriately”.

[15] For Liberation, "the film by Cédric Jimenez on the hunt for the coordinator of the 2015 attacks sometimes prefers efficiency to complexity but has managed to find the right tone”.

[16] For Première, “Novembre is actually conceived from his point of view as a director only as a pure action film, operating on the sequence of events (seen only from the police side) as raw as possible.

At the end of one week of release, the film was at the head of the box office with 592,681 entries, ahead of the American thriller Smile (243,762).

On the other hand, in the fifth week, November fell to fifth place in the French box office with 225,451 additional admissions, behind Paws of Fury: The Legend of Hank (241,102) and ahead of Le Nouveau Jouet (199,366).