Her works incorporate text-based media, sculptural elements, and drawing[3] and focus on how meaning is constructed and communicated given complex socio-political systems.

[8] As of 2021[update], she has had nine solo or duo exhibitions and has held residencies at Smack Mellon and the Skowhegan School of Painting and Sculpture.

[20] A tiny replica of Eldridge Cleaver's book Soul on Ice was included in the spacecraft's library, which is devoted to cultural studies.

[9] This work, titled yawar mallku (sculpting elsewhere in time / the arc of the moral universe is long… / the Lesson, pt.

[4] She started the series in 2007 after experiencing a Starbucks pound cake that did not compare favorably with memories of her grandmother's version.

[22] This led her to an exploration of the authenticity of pound cake and the discovery of only 46 recipes on the Internet with distinct methods of preparation or ingredients.

[24] An opening for a solo exhibition featuring the series at Brooklyn's BRIC Arts Media in 2013 included 47 actual pound cakes baked by volunteers based on each different recipe.

3, an installation of discretely placed white vinyl text throughout the gallery space that alluded to the narratives about the lives of women, both fictional and real; Soft.

Hard Margins., a suite of seven sculptures that address the "permissive authority" of historical art works by women artists.

This piece explored archetypes of femininity through the combination of images obscured with references to narratives in cutout lettering set in ornately framed shadowboxes.

[30][31] Curator van Mierlo said that Morgan's art was "brilliant at deconstructing this mechanism of mythmaking as a cultural and historical process, while at the same time enveloping the audience in a form of storytelling of her own.