It was commissioned by the renowned clarinetist Ferdinand Troyer and came from the same period as two of Schubert's other major chamber works, the 'Rosamunde' and 'Death and the Maiden' string quartets.
[2] The fourth movement variations are based on a theme from Schubert's Singspiel Die Freunde von Salamanka.
The Octet was recorded in 1967 with Gervase de Peyer (clarinet), William Waterhouse (bassoon), Neill Sanders (horn), Emanuel Hurwitz and Ivor McMahon (violin), Cecil Aronowitz (viola), Terence Weil (cello) and Adrian Beers (double bass).
[5] The Camerata Freden recorded it in 2003 with Adrian Adlam (violin I), Cristiano Gualco (violin II), Michael Hesselink (clarinet), Marjolein Dispa (viola), Michel Dispa (cello), Ilka Emmert (double-bass), Letizia Viola (bassoon) and Ron Schaaper (horn).
[6][7] Janine Jansen (violin I) along with Gregory Ahss (violin II), Nimrod Guez (viola), Nicolas Altstaedt (cello), Rick Stotijn (double bass), Andreas Ottensamer (clarinet), Fredrik Ekdahl (bassoon) and Radek Baborák (horn) performed, and (video) recorded, the piece at the International Chamber Music Festival 2015 in Utrecht.