He has been called "a complete man of the theatre[2] – an actor, director, choreographer and designer – who created performance spaces, influenced by traditional architectural forms.

In 1966 he obtained an MA from Yale School of Drama,[nb 1] where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature.

Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota.

[7] Rotimi, a patriot who shunned the attraction of the West and Europe and returned home to contribute his own quota to nation building, was a rare breed.

His dream of directing a play of 5000 cast members materialised at the Amphi Africa Theater when he was being put to rest as the crowd was drawn to a manuscript of the day's program outline.

He makes use of wry humour to seek a level playing ground for resolution of the biases men and women nurse about one another and which affect mutual co-existence of the two.

What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women.

Femi Elufowoju Jr had his first theatre experience in 1975, at the age of 11, when he saw a revival of this very play, performed in a reconstructed Greek amphitheatre at a university campus in Ife; and brought it to the UK shores as a British leading theatre director under the company name Tiata Fahodzi[13] His last production was a staging of Man Talk, Woman Talk at the French Institute in Lagos, Nigeria.

The technicalities of the stage should be carefully applied in such a way that they will kill expected boredom associated with court scenes for if not done, the whole dramatic in the act will be flattened out.