In the book Twentieth Century Authors, Onions described his interests as motoring and science; he was also an amateur boxer as a young man.
[6] Two of his works are science fiction novels: New Moon (1918) about a utopian Britain, and The Tower of Oblivion (1921), featuring a middle-aged man who recedes back to his youth.
A theme that "The Beckoning Fair One" shares with others of Onions's stories is a connection between creativity and insanity; here the artist is in danger of withdrawing from the world altogether and losing himself in his creation.
[13] The title novella of The Painted Face (1929) concerns a Greek girl's reincarnation of an ancient spirit; Mike Ashley describes it as "one of the finest works in the genre".
[11] A long supernatural horror novel is The Hand of Kornelius Voyt, about an isolated boy who falls under the psychic influence of a mysterious man.
[15] Fellow ghost story writer A. M. Burrage said of Onions' work, "There is some hair-raising stuff in Widdershins", and added "there is great literary excellence in this book, besides satisfaction for the mere seeker after thrills.
"[4] Martin Seymour-Smith described Onions's Whom God Hath Sundered trilogy as a neglected classic: "In Accordance with the Evidence is the masterpiece of the three, but the other sequels in no way disgrace it.
"[18] Neil Wilson calls Onions' supernatural works "notable for their depth of psychological insight, elegant writing and sophisticated plots".
Wilson notes that 'The Beckoning Fair One' (1911) is regarded by many as one of the greatest English tales of the supernatural but has overshadowed Onions' other work in the genre which some consider of equal, if not greater, importance.
In fact, the majority of the author's supernatural fiction is of an extremely high standard and is notable for its originality, subtlety and careful characterizations which lift it well above the average.
[21] "The Beckoning Fair One" was also the inspiration for a 1968 Italian/French horror film called A Quiet Place in the Country by prominent Italian director Elio Petri, starring Vanessa Redgrave and Franco Nero.