Louvel studied at the National Superior Conservatory of Dramatic Arts of Paris and had the opportunity to work with Klaus Michael Grüber and Michel Piccoli in a reworking of a Luigi Pirandello play.

[9] Louvel contributed a "compelling audio-visual" [10] Afraid Of Women to the female:pressure campaign—curated by Antye Greie-Ripatti to raise awareness for the special de facto autonomous zone in northern Syria, Rojava.

Produced using sampled sounds and re-fragmented images sourced from the internet, an attempt to highlight the formidable solidarity and courage of these women fighting on the front line against IS.

(...) The refined melodies of Louvel's intimate vocals and Fiona Brice's lyrical violin stand in fragile opposition to a backdrop, based largely around processed tambour samples, of harsh percussive rolls and looming reverberations.

"The sculptor's cut-glass Received Pronunciation might be off-putting for the modern ear, but waves of technological manipulation have eroded its edges, turning it into a dreamy meditation on the nature of creativity.

"doggerLANDscape is a taut, charged and insightful collection that poses significant questions, at least in my mind, about political identity, ideological and material borders, and the ways in which our geological environments shape our lives and thinking."

The cartographic sound art installation for voice and data projection throws a net over the North Sea, revealing the rivers which used to connect us to the continent – when the Thames flowed into the Rhine.

[25] In April 2007, she performed in the electronic kiosk conceived by Cocktail Designers/architect Olivier Vadrot [26] at Festival en boîte, Bibliothèque de la Part-Dieu, Lyon, France (F).

[27] In November 2018, she toured throughout the UK presenting a headline audio-visual set of Data Regina for Synth Remix, an event curated by Benjamin Tassie under Sound and Music's Composer-Curator scheme, also featuring Jo Thomas.

[32] Initially trained in classical singing, she began to work as a singer for the flying trapeze circus Les Arts Sauts, performing at 12 metres in the air a Meredith Monk composition.

[34] With Paul Kendall as The Digital Intervention, they produced the piece "When the sea will rise II'" or Acoustic Cameras, a project which invites sound artists to annex the real-time flow of webcams located in various places around the world.

[35] Along with Daria Baiocchi, Fiona Hallinan, La Cosa Preziosa, Vicky Langan, Úna Lee, Jenn Kirby, Claudia Molitor, Gráinne Mulvey and Rachel Ní Chuinn, Louvel contributed to the collaborative art project "Mean Time" with her composition "25 minutes and 21 seconds".