The creation for the "Expressions et behaviours" exhibition inaugurated in early 1987, marked a milestone in his career, leading him from a predominantly scientific and technical culture to another more artistic and open to all components of the humanities.
The exhibition "ARSLAB - The senses of virtuality", sponsored by the City of Turin - Promoter of Fine Arts, was organized by Ars Technica and Extramuseum and was curated by Claude Faure, Maria Grazia Mattei and Franco Torriani [1][2] In 1995 still, he was invited to the Ecole Nationale Supérieure des Télécommunications (now Télécom ParisTech) to develop his project, not just on the web, but on an experimental network foreshadowing the future shape of the Internet (Mbone) which allowed him to perform what is considered as the first experience of real-time collective interaction over the Internet without the intermediary of any center.
One of the pieces in the museum, the virtual reality installation "The treasure of the Nibelungs", inspired by the Poietic Generator, was also exhibited in numerous festivals, including ISEA 2000 (Paris) and Boston CyberArts 2001.
Anoptique commonly advised organizations such as UNESCO, the Ministry of Culture, and the French Development Agency on their strategy of free software, groupware, interactive mapping, and open data.
In 2010 and 2011, he contributed to the creation of a transdisciplinary Research Chair[4] at Telecom ParisTech devoted to "modeling imaginary" with the help of Dassault Systèmes, Ubisoft, Orange Lab, Peugeot-Citroen, Alcatel Lucent, BNP Paribas, Datar and Minatec.