[2] In a review originally published in the San Francisco Chronicle, Jules Siegel, who had worked closely with Puzo at Magazine Management Company, speculated that Omertà may have been completed by "some talentless hack."
Without any public authorities securing the area, the killers are able to escape and, in spite of Aprile's power, there is no subsequent investigation into his death.
Timmona Portella, controlling the only significant criminal organization remaining in New York, along with his international partners, tries to negotiate with the Don's children and Astorre to purchase the banks from them in order to launder drug money.
However, Astorre, holding the majority share, consistently declines their offers, following the Don's instructions and claiming that he has found a love for the banking industry.
At first, Aprile's children want to be as removed as possible and want to sell the banks thinking Astorre naive and innocent due to his good-natured and friendly demeanor, and while baffled that their father left him the majority share, want to protect him.
As time passes, though, they come to see that their father had meant for his banks to secure their futures in their respective careers, and that they had done so thus far, with Valerius a high-ranking military officer, Marcantonio a prolific TV producer, and Nicole a successful lawyer in a prominent law firm.
Drawing upon his years of training, Astorre methodically seeks each of the people responsible for the death of his uncle and had been trying to get control of his banks, consulting old friends of Aprile for advice.
At times during these consultations, the friends suggest selling the banks to avoid all the trouble that Astorre is going through even to stay alive, but are impressed when he politely rejects the idea, seeing in him determination and strength that they themselves lacked.
Astorre finds each of the people involved in Aprile's murder, from the hitmen to those who ordered the attack, and is able to eliminate them without detection by the authorities.
Two years later, Nicole has taken over as general manager of the banks, and her brothers are working on a film for TV recounting the life of their father, with Astorre as a consultant to help them with some of the details.
Sheppard said "This posthumously published novel by the author of The Godfather has more tasty twists than a plate of fusilli", and "this deft and passionate last novel by the Balzac of the Mafia",[4] while Michiko Kakutani wrote in The New York Times "Fact is, the more I think about it, the more this book gives me agita.