However adherence to either Christian or Muslim religions is still largely nominal; Nias continues to celebrate its own indigenous culture and traditions as the primary form of spiritual expression.
The piles rest on large stone slabs and diagonal beams of the similar dimension and material providing longitudinal and lateral bracing, enhancing flexibility and stability in earthquakes.
The warring culture built them to intimidate with size and the houses are virtually impregnable to attack with only a small trap door above a narrow staircase for access.
The steeply pitched roofs reach heights of 16 metres (50 feet); gables project dramatically at both the front and rear, providing both shade and shelter from tropical rains, and giving the building a hooded, towering appearance.
As a defensive measure, interconnecting doors link each house, allowing villagers to walk the full length of the terrace without setting foot on the street below.
Presumed to have been inspired by the bulbous sterns of Dutch galleons, they provided a defensive vantage point, and in times of peace, a ventilated and comfortable place from which to observe the street below.
The internal timbers often feature bas-relief carvings of ancestors, jewelry, animals, fish and boats with a balance of male and female elements that is essential for Niassan concepts of cosmic harmony.
The cost of repairing damaged traditional homes was estimated to be similar to building new ones, because collapsing support pillars meant that the house had to be dismantled and reconstructed.