His career is in shambles, his romantic life is comically void, and his only real human connection a cantankerous old woman who lives next door.

When Luka finds Darius, the two men learn more about their shrouded past and the scientific experiment that links their existence, and it's suddenly clear what has to be done.

Darius and Luka journey to a secret site called "Omphalos," where they hope to put a stop to the disastrous experiment that may be at the root of their troubles.

Eventually he and cinematographer George Nicholas started filming images that they used to raise investment capital to complete 7 Splinters in Time on a "micro-budget."

The review continued with a pan for the cast and writer-director: "Judet-Weinshel’s blitzkrieg aesthetics muddy his tale, whose themes of fate, sacrifice and salvation get lost in the convulsive shuffle.

"[8] The Los Angeles Times also panned the film, with critic Kimber Myers calling it an "intellectual exercise" that failed to ground with any kind of emotion.

"Despite an ambitious premise and style," the review stated, "the neo-noir sci-fi indie is a fractured narrative that can’t achieve what its lofty ideas intend.