[1] It concerns a peasant girl in the French Antilles who falls in love with a rich boy and makes a deal with the gods to save his life.
With direction and choreography by Graciela Daniele, the musical featured LaChanze as Ti Moune, Jerry Dixon as Daniel, Andrea Frierson as Erzulie, Sheila Gibbs as Mama Euralie, Kecia Lewis as Asaka, Gerry McIntyre as Armand, Milton Craig Nealy as Agwe, Eric Riley as Papa Ge, Ellis E. Williams as Tonton Julian and Afi McClendon as Little Ti Moune.
Daniele returned as director/choreographer for a U.S. national tour, which opened at the CIBC Theatre in Chicago on March 31, 1992 and closed at the Heinz Hall for the Performing Arts in Pittsburgh on January 3, 1993.
Gibbs reprised her role as Mama Euralie and Gerry McIntyre (the original Armand) played Papa Ge.
The rest of the cast included Vanita Harbour as Ti Moune, Darius de Haas as Daniel, Natalie Venetia Belcon as Erzulie, Carol Dennis as Asaka, Miles Watson as Tonton Julian, Monique Cintron as Andrea, Keith Tyrone as Armand, and Nilyne Fields as Little Ti Moune.
This production featured a stage covered in sand, with live animals onstage, and set and costume design intended to suggest a wrecked beach community recovering from a hurricane.
[7] The opening night cast included Hailey Kilgore as Ti Moune, Isaac Powell as Daniel, Alysha Deslorieux as Andrea, Phillip Boykin as Tonton Julian, Kenita R. Miller as Mama Euralie, Alex Newell as Asaka, Merle Dandridge as Papa Ge, Quentin Earl Darrington as Agwe, Lea Salonga as Erzulie and David Jennings as Armand.
In June 2012, the Paper Mill Playhouse presented a production directed by Thomas Kail,[15] with Syesha Mercado as Ti Moune[16] and Darius de Haas as Agwe.
[17] A new London production directed by Ola Ince and starring Gabrielle Brooks as Ti Moune was announced for May 2023 at Regent's Park Open Air Theatre.
Years afterwards, a grown-up Ti Moune prays to the gods to let her know her purpose, and to let her be like the fast-driving strangers on the roads near her village - the grands hommes ("Waiting for Life").
The goddess Asaka tells Ti Moune not to fear, as the Earth will give her everything she needs on her journey to Daniel ("Mama Will Provide").
Ti Moune travels across the island ("Waiting for Life (Reprise)"), and the storytellers relate the many versions of her difficult journey to the city (including being forced to wear too-tight shoes), through the hotel gates and finding Daniel's room ("Some Say").
Daniel ignores the townspeople's gossiping ("Pray (Reprise)") over the unlikely relationship between a rich Beauxhomme and a poor peasant.
Daniel, reminded of his responsibilities, must go through with the arranged marriage, although he insists they can be lovers forever, leaving Ti Moune crushed.
The storytellers tell of how the gods were moved to tears by Ti Moune's selflessness and love, and chose to bestow a final kindness on her; Erzulie took her by the hand and led her to the ocean, where Agwé allowed her to drown peacefully.
The tree becomes a celebration of life and love that cracks open the gates of the hotel, allowing those of all social statuses to become one, including a peasant girl and a young grand homme, Daniel's son, as they play in her branches.
In the script, the writers provide small line changes that can be used to remove references to skin color to accommodate multi-ethnic productions, while preserving the storyline about differences between the upper and lower classes.