He often incorporates household objects, such as toothbrushes or plastic furniture coverings, paired with large scale work made from stone, sand, and bronze.

[5] In 2019 Pinhassi was selected alongside Felipe Baeza, Julia Bland and Arghavan Khosravi in an exhibition curated by Doron Langberg at Yossi Milo Gallery in New York City.

[12] Pinhassi states: “My work deals with archetypes of structures and objects that act as networks that encase the living and the dead human body, that protect it or destroy it, that interact materially with it.

I see these interactions as potentials for positive, constructive forces that can set new tools, production rules and new economies for the artist, and for thinking about our place within the universal continuum.”[13][14]Pinhassi predominantly produces work by layering burlap, plaster and sand over welded steel skeletons.

[15][16] As Michael Yeung notes in Wallpaper* "[...] He calls his sculpting process one of ‘repetitive touch’ – working away at the plaster with his hands a little at a time – no two objects he creates are ever exactly the same.[...