In The Superhero Reader (nominated for a 2014 Eisner Award for Best Scholarly/Academic Work), edited by Charles Hatfield (Professor at University of Connecticut), Jeet Heer (Toronto-based journalist), and Kent Worcester (Professor of Political Science at Marymount Manhattan College), the editors write in "Section One: Historical Considerations": "Almost all superheroes have an origin story: a bedrock account of the transformative events that set the protagonist apart from ordinary humanity.
If not a prerequisite for the superhero genre, the origin... is certainly a prominent and popular trope that recurs so frequently as to offer clues to the nature of this narrative tradition.
To read stories about destroyed worlds, murdered parents, genetic mutations, and mysterious power-giving wizards is to realize the degree to which the superhero genre is about transformation, about identity, about difference, and about the tension between psychological rigidity and a flexible and fluid sense of human nature.
Randy Duncan (comics scholar and professor of communication, Henderson State University, Arkadelphia, Arkansas) and Matthew J. Smith (Department of Communication, Wittenberg University, Springfield, Ohio) use the origin story of Spider-Man as an example of how a character can be created by the persistence of a writer who has definite preferences in creating a character's personality, even if the publisher resists.
"Like a heady puree of [Mary] Shelley's Frankenstein, Bob Kane's Batman, and Franz Kafka's Metamorphosis, Spider-Man's origin invokes gothic and crime fiction motifs like the ostracized genius, doomed loved ones, the misuse or misfiring of science, the gritty noir city, the driven vigilante, and the fateful 'return of the repressed'.