[21] Reviewing the album for AllMusic, Thom Jurek concluded that "Uchis remains true to herself by restlessly expanding her music's stylistic reach, embracing the past as instructor to the present.

[22] PopMatters' review described the album as having "killer style, playful energy, impeccable production, incredible performances, and some very important representation.

"[32] Verónica Bastardo of The Quietus wrote that the album "perfectly delivered" a mix of "niche Latin American genres" with "dreamy chillhop.

"[33] Jasper Willems of Beats Per Minute wrote that Uchis hits a "sweet spot between a luxurious facade and a candid authenticity" on the album.

"[25] Clash's review by Jay Fullarton wrote that "stylistic switch ups and layered production make Kali’s Latin pop experiments feel almost as creative as Rosalía’s Motomami.

"[23] Writing for The Arts Desk, Thomas Green wrote that the album's songs were "syrupy, dreamy, smooth, emanating slink rather than bounce.

[52] Uchis expressed interest in potentially creating a deluxe version of the album using leftover demos in an interview with KRRL in April 2024.