Osun-Osogbo

Prohibited actions like fishing, hunting and felling of trees in the Grove was done indiscriminately until an Austrian national named Susanne Wenger (1915-2009)[3] helped to reinstate traditional protections.

On the river-side, Yeye Osun the river goddess appeared from the water in front of Olutimehin and requested him to lead people to a special place (the present-day Osogbo town).

Drumming, dancing, musical performing, wearing elaborate costumes, speaking of the Yoruba language, recitation of praise poetry, and so on add pomp and colour to the proceedings.

This event is led by the sitting Ataoja of Osogbo along with a ritualized performer called the Arugba(calabash carrier) and a committee of priestesses, who reenact the very first meeting between Oluwatimilehin and Yeye Osun.

[12] The Osun-Osogbo festival also serves as a strong unifying factor in Osogbo land, as irrespective of the different social, economic, religious and political convictions of the people, they all come together annually to celebrate the goddess.

Osun-Osogbo Main Entrance Gate
Wood hut
Ina, the sacred lamp lit at the beginning of the annual Osun-Osogbo festival
A statue signifying the maternity nature of iya osun at the sacred grove of osun
Arugba; during one of the annual festivals.
Osun-worshippers at the groove during one of the festivals
Tourists and worshippers scamper around the Osun groove
A devoted Osun worshipper with a peg of water fetched at the Osun River, perceived for the spiritual objective.
Carnival-like festival with worshippers in glamorous attires and sacrifices.