It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets).
The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals.
Like most Indian performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (c. 2nd century BCE).
In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices.
[3] In Ottamthullal, a solo performer, with green makeup and a colourful costume (decorated with a long red and white band and painted wooden ornaments), acts and dances while reciting dance (Thullal) (lyrics).