Gila uses a harp string as a bow to fire a poisoned dart, which misses Flint but hits his former boss, Cramden.
In one of Marseille's lowest clubs, he stages a brawl to gain information from "famous" Agent 0008, which leads him to a narcotics trade which is financing Galaxy.
Flint ends up killing Gruber in a toilet stall while Gila escapes, leaving behind a cold cream jar she has booby-trapped with explosives.
Following their encounter, he steals the keys to Exotica and breaks into the company's safe, learning of Galaxy's location before being trapped by Gila's assistant, Malcolm Rodney.
Gila and Rodney take an evidence photograph of the "body", which they send to Cramden, then carry Flint back to headquarters on the submarine.
With the help of the lighter, Flint again escapes, sabotages the machinery, rescues his playmates and Gila, and departs the island as it disintegrates.
The last shot is of the "Anti-American Eagle" that attacked Flint at Rodney's behest earlier in the film flying over the smoking ruins of the island.
The uncredited actor playing the overseer of the Pleasure Unit process is Dick Wilson, who later gained fame as "Mr. Whipple" in a long string of commercials for Charmin toilet paper.
Producer Saul David had just made Von Ryan's Express for Fox and Our Man Flint would be his second film for the studio.
David told the press that Flint would be "an entirely different cup of tea" to James Bond, "a sensitive and sensible individual, loyal to his own code instead of to an arbitrary entity which we might call 'our side'.
"[4] Coburn had appeared in a number of key supporting roles, particularly The Americanization of Emily and A High Wind in Jamaica but Our Man Flint was his first lead in a feature.
I would describe him as a cross between Humphrey Bogart and Jean Paul Belmondo - a true descendant of that bygone generation of character actors who became leading men by accident... Coburn has a fantastic effect on women filmgoers and I think it's because ladies go more for masculinity and charm than prettiness in a male star.
"[6] Fox were so happy with the film that head of production Richard Zanuck announced preparations for a sequel, F as in Flint, in November 1965, before the movie was even released.
The distinctive ringtone of Cramden's "presidential hotline"[9] telephone was re-used in the films Hudson Hawk, and in Seattle children's television program, The J.P. Patches Show.
Variety called it "a dazzling, action-jammed swashbuckling spoof of Ian Fleming’s valiant counterspy" where "in a cycle which sees virtually every studio clambering aboard the espionage bandwagon, indications point to blockbusting biz if film is properly exploited.
)[13] According to Fox records, the film needed to earn $7,700,000 to break even (after distribution and overhead costs were added) and made $12,950,000 at the box office.
[14] In 1972, Harlan Ellison wrote a teleplay entitled Flintlock as a continuation of the films with Coburn intended to reprise his role.
[15] A later attempt on the same format resulted in Dead on Target (1976), a Canadian-filmed television pilot directed by Joseph L. Scanlan, starring Ray Danton as Flint, here depicted as a private investigator.