Stout starts to do so in this book by bringing in a number of European visitors, including some from Montenegro; the backdrop is the maneuvers of the Axis and Allied powers to dominate Yugoslavia.
Stout's authorized biographer John McAleer explained the reason for the anomaly: Rex told me that even in 1939 Wolfe was irked by the FBI's consuming curiosity about the private business of law-abiding citizens.
… In the original draft of Over My Dead Body Nero was a Montenegrin by birth, and it all fitted previous hints as to his background; but violent protests from The American Magazine, supported by Farrar & Rinehart, caused his cradle to be transported five thousand miles.
"[1]Nero Wolfe is approached by Carla Lovchen, a young fencing instructor and illegal immigrant from Montenegro, on behalf of her co-worker and fellow “alien”, Neya Tormic.
Neya has been wrongfully accused of stealing diamonds out of the coat pockets of Nat Driscoll, a wealthy student at the fencing studio where she and Carla work.
The letter, written in Serbo-Croatian, empowers Princess Vladanka Donevich, a Croatian aristocrat, to secretly negotiate with a foreign power over the rights to Yugoslavian forestry interests.
Although skeptical, Wolfe admits that he adopted an orphan girl during his military service in Montenegro but lost contact with her during the political upheavals following the First World War.
Archie is surprised when Neya seems more confused than relieved by Ludlow providing her an alibi, but the matter is quickly resolved when Driscoll arrives, sheepishly confessing that the diamonds had never been stolen in the first place; he had simply forgotten where he had left them.
As the police arrive, Archie discovers that his coat has been tampered with; suspecting that the murderer has planted the col de mort on him, he slips away and heads back to the brownstone, where he and Wolfe confirm his suspicions.
Her guilt seems to be confirmed when Madame Zorka, a mysterious Manhattan couturière who also studies at the studio, calls Wolfe claiming to have seen Neya plant the col de mort.
She is later found and brought back, where Saul Panzer reveals he has discovered her true identity - she is actually Pansy Bupp, a farm girl from Iowa who reinvented herself as Zorka in the hopes of achieving more success.
The following excerpt from Over My Dead Body was used as the quotation in a New York Times[3] Sunday acrostic: "When an international financier is confronted by a holdup man [with a gun], he automatically hands over not only his money and jewelry but also his shirt and pants, [because] it doesn't occur to him that a robber might draw the line somewhere.
Other members of the cast (in credits order) are Bill Smitrovich (Inspector Cramer), Ron Rifkin (Nikola Miltan), Colin Fox (Fritz Brenner), James Tolkan (Percy Ludlow), George Plimpton (John Barrett).
Kari Matchett (Carla Lovchen), Debra Monk (Madame Zorka), Francie Swift (Neya Tormic), Trent McMullen (Orrie Cather), Conrad Dunn (Saul Panzer), Robert Bockstael (Agent Stahl), Nicky Guadagni (Jeanne Miltan), Hrant Alianak (Nat Driscoll), R.D.
A Nero Wolfe Mystery — Serie 2 (2010) was the first DVD release of the international version of the episode, which presents "Over My Dead Body" as a 90-minute film with a single set of titles and credits.
Set in 1959 in Rome, where Wolfe and Archie reside after leaving the United States, the series was produced by Casanova Multimedia and Rai Fiction and directed by Riccardo Donna.