However, he returned with Ozzmosis in 1995, which featured long-time guitarist Zakk Wylde as well as former Black Sabbath bassist Geezer Butler and drummer Deen Castronovo.

The reissue featured bonus tracks "Whole World's Fallin' Down" and "Aimee", originally released as B-sides to "Perry Mason" and "See You on the Other Side", respectively.

[3] Guitars were by his long-time band member Wylde, although Steve Vai was originally slated to perform on the album after writing songs with Osbourne in 1994 (of which only "My Little Man" remained).

[6] Songs were recorded with Wagener, and a different lineup including bassist Mike Inez and drummer Randy Castillo, with the intention of making the album sound similar to No More Tears.

However, with seven songs completed, Epic Records allegedly requested a change in production style and replaced Wagener with Beinhorn.

[6] Of Wagener's produced material, "Perry Mason", "See You on the Other Side", "Tomorrow" and "Old LA Tonight" were rerecorded with Beinhorn, "Aimee" and "Living with the Enemy" were released as B-sides, and "Slow Burn" remained unreleased.

[8] It was more successful in the United States, reaching number four on the Billboard 200, the highest position achieved by Osbourne on the chart at the time.

Writing for music website AllMusic, Stephen Thomas Erlewine criticised the album for its lack of evolution from previous releases No Rest for the Wicked and No More Tears.

[24] Despite praising the "still impressive" skills of guitarist Zakk Wylde, Erlewine condemned the "modern-rock conscious" production style of producer Michael Beinhorn, which he claimed was the cause of the album's main problem – that "on the surface, the music is hard and loud, but it actually sounds smooth and processed".

[24] Entertainment Weekly critic Chuck Eddy claimed that due to the long running lengths of tracks on the album, Ozzmosis "feels like a parody of the most overinflated opera".