The building, also known by the name of palazzo Raggio from the name of the armor who purchased it in the 19th century, is today the seat of the Faculty of Letters of the University of Genoa.

[1] It underwent profound alterations starting from the first decades of the 19th century when the new owner, Marcello Luigi Durazzo (secretary of the Accademia Ligustica di Belle Arti) commissioned the architect Nicolò Laverneda and the painters Michele Canzio, Francesco Baratta and Giuseppe Gaggini to restore and decorate the palace.

More radical transformations took place at the behest of Edilio Raggio, a shipowner and industrialist, who bought the building from the Gropallo family in 1870, suppressing all memory of the historical complex of the hospital and abbey of Sant’Antonio Abate that faced, at noon of the block, onto via Pré.

The architect Luigi Rovelli, commissioned by Edilio Raggio, not only demolished the church rebuilt by the architect Giovanni Battista Grigo in 1650 in 1881, but also proceeded with a massive demolition of the interior of the palace to build new reception rooms and erect an imposing staircase supported by rampant arches and cross vaults.

One of the reception rooms was decorated by the fresco painter Luigi Gainotti (1859—1940) with an exaltation of Genoa's merchant activity,[2] while the decoration of the walls and the vault of the staircase was entrusted in 1883 to the painter Cesare Viazzi (1857—1943) who produced a cycle of seven works celebrating the Sabard dynasty using the tempera technique (L’Italia del Popolo, The Monarchy swears allegiance to the Statute, Slavery with tied hands looks at Buonarroti’s dome, Italy sits on the throne of Rome, The Wars for the Unity of Italy commemorated by putti with festoons (2), Putti support the Savoy coat of arms that is not visible in the Tricolour of Italy).