[1] To distinguish this section from the others it carries the name of a Mattei fief, Giove.
It was Maderno who was responsible for the extravagantly enriched cornice on the otherwise rather plain stuccoed public façade, the piano nobile loggia in the courtyard and the rooftop loggia or altana.
[4] For the interior of the palazzo, Pietro da Cortona was commissioned to execute the pair of compositions on the ceiling of the gallery, dating before 1626.
In the early 19th century, a group of paintings from the collection at the palazzo was purchased by William Hamilton Nisbet and removed to Scotland.
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