[3] Editors at AllMusic rated this album 4 out of 5 stars, with critic Fred Thomas writing the music is "lonely, lamenting, and distant but beautifully warm, marrying Hanson's love of psychedelic experimentation with a more cosmic take on country".

[1] Stuart Berman of Pitchfork Media gave this release a 7.5 out of 10, for combining Americana and chamber pop with an "uncanny vibe" "heightened by Hanson’s lyrics, which blur the line between fact and fable".

[4] In Record Collector, Kevin Harley scored this album 4 out of 5 stars, calling it "the equivalent of an open-skied breather" that "tread[s] cosmic country terrain with a cogent confidence in restraint and controlled reserves of psychedelic colour".

[5] In The Sydney Morning Herald, Barnaby Smith gave this album 4.5 out of 5 stars, calling this a "textured and complex affair, combining folk-based foundations with synthesisers, soundscapes, guitar effects and even field recordings".

[6] Editors at Uncut chose this as Album of the Month, giving it an 8 out of 10, with critic Peter Watts praising the full band orchestration, calling it stronger than Hanson's 2016 effort The Unborn Capitalist from Limbo and stating that this is an "impressive record" for having the confidence to experiment.