Paul Clipson

[1] In 1995 Clipson filmed his friend and performance artist Adam Heavenrich publicly improvising in San Francisco.

Inspired by musicians' "freedom to create on a whim", he used Super 8 and 16mm projectors to layer his film footage in a live environment.

[2] This type of work started in 2003 when Clipson began composing the visuals for the live performances of Cantu-Ledesma's band Tarentel.

[1] Clipson has been working as head projectionist and AV manager at the San Francisco Museum of Modern Art since around 2000.

[4] A 2018 obituary written by personal friend Max Goldberg and archived by SFMOMA shines a spotlight on Clispon's knowledge of film history.

Goldberg goes on to mention the many influences on Clipson: Baillie, Otto Preminger, Chantal Akerman, Jonas Mekas, Stan Brakhage, Orson Welles, Frank Stauffacher, Saul Bass and Elia Kazan, among many others.

[10] Otie Wheeler, writing for MUBI Notebook, calls Clipson "an experimental, lyrical filmmaker in the tradition of Stan Brakhage".