Known for his dramatic comedies that often dealt with modern social issues, he was nominated for five Academy Awards for Bob & Carol & Ted & Alice (1969), An Unmarried Woman (1978), Harry and Tonto (1974), and Enemies, A Love Story (1989).
He was born into a Jewish family[1] in Brooklyn, New York, the son of Jean (née Gerson), a piano player for dance classes, and David Mazursky, a laborer.
He applied unsuccessfully to the Actors Studio, but he took classes from Lee Strasberg, having previously studied under Paul Mann and Curt Conway.
[8] The following year, he directed his first film Bob & Carol & Ted & Alice (1969) produced and written by Mazursky and Larry Tucker), which proved to be a major critical and commercial success.
His most successful films were contemporary dramatic comedies, including the Academy Award-winning Harry and Tonto (1974), the Best Picture-nominated An Unmarried Woman (1978), and popular hits such as Moscow on the Hudson (1984) and Down and Out in Beverly Hills (1986).
"[10] Other films made by Mazursky during this time include the Hollywood satire Alex in Wonderland (1970), the cutting Los Angeles relationship comedy Blume in Love (1973), and the semi-autobiographical coming-of-age story Next Stop, Greenwich Village (1976).
He also directed the 1980s New York City-based Jules and Jim homage Willie & Phil (1980), the contemporary Shakespeare comedy Tempest (1982), the Caribbean political farce Moon over Parador (1988), and the acclaimed Isaac Bashevis Singer adaptation Enemies, a Love Story (1989).
In Moon over Parador (1988), with the Rio Opera House available for only three days of shooting, Mazursky cast himself as a dictator's mother when Judith Malina was unavailable, playing the character in drag.
He also acted in 1990s in projects such as Man Trouble (1992), Carlito's Way (1993), Love Affair (1994), 2 Days in the Valley (1996), Miami Rhapsody (1995), Crazy in Alabama (1999), and I Want Someone to Eat Cheese With (2006).
In his autobiography Show Me the Magic (1999), Mazursky recounts his experiences in filmmaking and with several well-known screen personalities including Peter Sellers.
Mazursky appeared as himself in a number of documentaries on film, including A Decade Under the Influence, New York at the Movies, and Screenwriters: Words Into Image.
It's not simply a matter of being hip to the scene; what makes such L.A. movies as Bob & Carol & Ted & Alice and Alex in Wonderland and Blume in Love and Down and Out in Beverly Hills soar is Mazursky's wide-eyed infatuation with the city's rampant pop nuttiness.