Jen Catron and Paul Outlaw

Catron and Outlaw create large-scale sculptures, kinetic installations, and immersive environments that often comment on American culture and consumerism.

The exhibition featured two oversized sculptures: a bathroom sink and an ice cream sundae, both transformed into self-circulating fountains.

The New York Times called the sculpture "an emblem of the hard-to-digest truth about mass production and labor, consumerism and marketing.

"[10] Rhea Nayyar of Hyperallergic described how the hot dog "complete with puckered ends and a ribbon of mustard, not only enhances the entropy of Times Square, but also dominates the palate.

"[13] Tessa Solomon of ARTnews wrote that their artwork "feeds and critiques the worst of the American Dream, its insatiable hunger, belligerent confidence, and capitalist impulses".

[8][14][15][11] Benjamin Sutton of The Art Newspaper called the installation a "tongue-in-cheek tribute to and critique of all that the hot dog has come to symbolise".