Some of this early work, like the well-known Wall Street, experimented with formal abstractions (influencing, among others, Edward Hopper and his idiosyncratic urban vision).
Harburg, Joseph H. Levy, Albert Maltz, Philip Morrison, Clarence Parker, Muriel Rukeyser, Alfred K. Stern (husband of Martha Dodd), Max Weber, and Henry Wilcox.
[11] In June 1949, Strand left the United States to present Native Land at the Karlovy Vary International Film Festival in Czechoslovakia.
[citation needed] Although Strand is best known for his early abstractions, his return to still photography in this later period produced some of his most significant work in the form of six book "portraits" of place: Time in New England (1950), La France de Profil (1952), Un Paese (featuring photographs of Luzzara and the Po River Valley in Italy, Einaudi, 1955),[12] Tir a'Mhurain / Outer Hebrides[13][14] (1962), Living Egypt (1969, with James Aldridge) and Ghana: An African Portrait (with commentary by Basil Davidson; 1976).
"[16] The timing of Strand's departure to France is coincident with the first libel trial of his friend Alger Hiss, with whom he maintained a correspondence until his death.
Many of his friends were also Communists or suspected of being so (Member of Parliament D. N. Pritt; film director Joseph Losey; Scottish poet Hugh MacDiarmid; actor Alex McCrindle).
When he was asked by an interviewer why he decided to go to France, Strand began by noting that in America, at the time of his departure, "McCarthyism was becoming rife and poisoning the minds of an awful lot of people.
[18] Following Strand's move to Europe, it was later revealed in de-classified intelligence files, obtained under the Freedom of Information Act and now preserved at the Center for Creative Photography at the University of Arizona, that he was closely monitored by security services.
[20] The highest price reached by a Strand photograph in the art market was by Akeley Motion Picture Camera (1922), who sold by $783,750 at Christie's New York, on 4 April 2013.