Starring Ben Affleck, Kate Beckinsale, Josh Hartnett, Cuba Gooding Jr., Tom Sizemore, Jon Voight, Colm Feore, and Alec Baldwin, the film features a heavily fictionalized version of the attack on Pearl Harbor, focusing on a love story set amidst the lead up to the attack, its aftermath, and the Doolittle Raid.
Four weeks later, Rafe and Evelyn, now deeply in love, enjoy an evening of dancing at a nightclub and later a jaunt in the New York harbor in a borrowed police boat.
Meanwhile, Japan prepares to attack the US Pacific Fleet, deciding the best way to do so would be a decisive strike on the Pearl Harbor naval base.
On the night of December 6, Evelyn is shocked to discover Rafe standing outside her door, having survived his downing and the ensuing months trapped in Nazi-occupied France.
Rafe, in turn, discovers Danny's romance with Evelyn and leaves for the Hula bar, where he is welcomed back by his overjoyed fellow pilots.
Danny and Rafe are both promoted to captain and awarded the Silver Star for their actions at Pearl Habor, and Doolittle asks them to volunteer for a secret mission.
A gunfight ensues between the raiders and Japanese ground troops, and Danny is mortally wounded shielding Rafe before the group are rescued by Chinese soldiers.
Bay initially wanted to graphically portray the horrors of war and was not interested in primarily marketing the final product to a teen and young adult audience.
A large-scale model of the bow section of USS Oklahoma mounted on the world's largest gimbal produced an authentic rolling and submerging of the doomed battleship.
Production Engineer Nigel Phelps stated that the sequence of the ship rolling out of the water and slapping down would involve one of the "biggest set elements" to be staged.
[11] Disney premiered the film at Pearl Harbor itself, aboard the active nuclear aircraft carrier USS John C. Stennis, which made a six-day trip from San Diego to serve as "the world's largest and most expensive outdoor theater".
More than 2,000 people attended the premiere on the Stennis, which had special grandstand seating and one of the world's largest movie screens assembled on the flight deck.
[12] The guests included various Hawaii political leaders, most of the lead actors from the film, and over 500 news media from around the world that Disney flew in to cover the event.
[21] Meanwhile, Pearl Harbor generated a three-day gross of $4.5 million in the United Kingdom, becoming the country's fourth-highest June opening weekend, behind Batman & Robin, The Matrix and The Mummy.
[26] On July 2, 2002, Buena Vista Home Entertainment released the film on an R-rated four-disc Director's Cut DVD, which included about a minute of additional footage.
[32] At the 5th Annual DVD awards, Pearl Harbor won the Best Audio Presentation category, tying with Star Wars: Episode I – The Phantom Menace.
The site's critical consensus reads: "Pearl Harbor tries to be the Titanic of war movies, but it's just a tedious romance filled with laughably bad dialogue.
Ebert also criticized the liberties the film took with historical facts: "There is no sense of history, strategy or context; according to this movie, Japan attacked Pearl Harbor because America cut off its oil supply, and they were down to an 18-month reserve.
"[38] Ed Gonzalez of Slant Magazine gave the film one out of four stars and wrote, "Middlingly racist, humorless, and downright inept, Pearl Harbor is solely for fans of fireworks factories.
"[42] Peter Travers of Rolling Stone magazine wrote, "Affleck, Hartnett and Beckinsale – a British actress without a single worthy line to wrap her credible American accent around – are attractive actors, but they can't animate this moldy romantic triangle.
"[44] Robert W. Butler of The Kansas City Star wrote, "The dialogue is so unrelentingly banal as to make one reconsider whether James Cameron's writing on Titanic was really all that bad.
"[45] Entertainment Weekly was more positive, giving the film a "B−" rating, and Owen Gleiberman praised the Pearl Harbor attack sequence: "Bay's staging is spectacular but also honorable in its scary, hurtling exactitude.
There are startling point-of-view shots of torpedoes dropping into the water and speeding toward their targets, and though Bay visualizes it all with a minimum of graphic carnage, he invites us to register the terror of the men standing helplessly on deck, the horrifying split-second deliverance as bodies go flying and explosions reduce entire battleships to liquid walls of collapsing metal.
"[47] Critics in Japan received the film more positively than in most countries with one likening it to Gone with the Wind set during World War II and another describing it as more realistic than Tora!
National Geographic Channel produced a documentary called Beyond the Movie: Pearl Harbor detailing some of the ways that "the film's final cut didn't reflect all the attacks' facts, or represent them all accurately".
"[75][76] The scene following the attack on Pearl Harbor, where President Roosevelt demands an immediate retaliatory strike on the soil of Japan, did not happen as portrayed in the film.
Admiral Chester Nimitz and General George Marshall are seen denying the possibility of an aerial attack on Japan, but in real life they actually advocated such a strike.
Another inconsistency in this scene is when President Roosevelt (who was at this time in his life, stricken and confined to a wheelchair due to his disease, Guillain–Barré syndrome or Polio) is able to stand up to challenge his staff's distrust in a strike on Japan, which never really happened.
[78][79] The firefight with Japanese soldiers after the raiders crash-land in China is entirely fictionalized, whereas the actual smuggling of the pilots back to the United States was omitted.
[72] The soundtrack to Pearl Harbor on Hollywood Records was nominated for the Golden Globe Award for Best Original Score (Moulin Rouge!