They got international media attention when they held a presentation called "Your data, our future" in the Name of Google at Europe's largest tech conference re:publica in 2014.
[11][12] The evening was a public relations event organized by Burson Marsteller in Berlin, where one member of the Collective could enter the stage because he claimed to have created a car that is cleaning the air.
In 2015, the group infiltrated the Cinema for Peace Gala in Berlin with a fake polar bear and The Yes Men to go on stage and insist that divestment from fossil fuels is helping more against climate change than charity projects.
[15] In September 2015, the Peng Collective staged an association named Intelexit helping anyone working for secret services to quit their jobs and transition to civil life, be it for ethical or psychological reasons.
[16] During the launch of the campaign, they rallied with an advertising trucks and mobile billboards in front of several secret services workplaces around the world like the German BND, the GCHQ Headquarters in the UK, the US military bases in Germany Dagger Complex and Lucius D. Clay Kaserne and the NSA's Headquarters in the US, Maryland, where they also drove to the employees lunch place Café Joe[17] They also performed an airborne leaflet operation over the Dagger Complex with a drone advertising for the exit program.
[18] Intelexit now operates phone booth installations in arts and journalists venues where participants can call up secret service employees such as the FBI, NSA, CIA and private subcontractors like Trovicor or Booz Allen Hamilton in the US, but also officers from Germany, France, Canada and Great Britain.
[19] The organisation invites people to set up the call installation all over the world to create an ongoing dialogue between civil society and the intelligence community.
had founded a fictitious CDU local association, which appealed to party leader Angela Merkel to campaign against the export of small arms in the next legislative period.
They also sent five passports to co-artists in Libya with whom they morphed the faces to let them enter Europa as both real and symbolic gesture of civil disobedience against the border regime.