Penthesilea Painter

His conventional name is derived from his name vase, "bowl 2688" in Munich, the inside of which depicts the slaying of Penthesilea by Achilles.

An exception is his very early "bowl T 212" at the Museo Archeologico Nazionale in Ferrara, with exterior images by the Splanchnoptes Painter.

In his later works, his love of detail is lost and replaced with stencil-like motifs, their basic compositions indistinguishable from typical mass-produced wares.

His lines become more casual, but don't lose their certainty, so that even these works preserve a distinctive charm, marking him as one of the great masters of Greek vase painting.

His emphasis on human aspects represented a new departure and was to be an important influence on the further development of vase painting.

Depiction of Penthesilea, on a bowl from Vulci ; circa 470/460 BC. Munich , Staatliche Antikensammlungen .