In 2011, her work, Man with a Movie Camera: The Global Remake was chosen for inclusion in Google's selected top creative uses of the Internet.
"The viewer sees two concurrent sets of images on a single screen: Vertov's original film and the remake of it that has been constructed on the Internet.
The remade film "exists on the Web, at media festivals, and in the gallery and museum but also travels and is launched on outdoor public commons screens.
"[4] Evelin Stermitz quotes Bard in an interview in Rhizome: "The primary idea was to use global input via the Internet to generate multiple versions of one film to be screened in public space and on the web.
Bard also writes often for Afterimage: The Journal of Media Arts and Cultural Criticism, and has curated a number of exhibitions in the United States and abroad.