Peruvian literature

Literature produced in the central-Andean region of modern-day Ecuador, Perú, Bolivia and Chile, is thought to have been transmitted orally alone, though the quipu of the Inka and earlier Andean civilizations increasingly casts this into doubt.

Many of these stories have survived until the present, thanks in no small part to the efforts of early chroniclers such as Inca Garcilaso, who rediscovered Quechua poetry, and Guamán Poma de Ayala, who preserved mythology.

Luis Alberto Sánchez, on the other hand, employed elements of the Pre-Hispanic tradition to illustrate his theory of a racially mixed "Creole" literature of both indigenous and Iberian parentage.

The period begins on November 15, 1532, in Cajamarca with the capture of the last Inca lord, Atahualpa; it ends with the complete dismantling of the Incan Empire and the founding of the city of Lima.

For the most part, these chroniclers all wrote from the perspective of the conqueror, whose mission was to "civilize" and "reveal the true faith" to the native peoples of Peru.

Another official Spanish chronicler was Fray Gaspar de Carvajal, who produced the Relacion del descubrimiento del famoso río grande de las Amazonas (The Narrative of the Discovery of the Famous Great River of the Amazons) of 1541–1542, which described the first expedition and cartography of the Peruvian amazon territory, and of its towns and indigenous inhabitants.

Juan de Santa Cruz Pachacuti also writes a chronicle in which he crudely attempts to explain the Inca cosmogony in rudimentary Spanish.

Guamán Poma, wrote an extensive 1179-page letter to the king of Spain, Philip III, in which he narrates the history of his universe and ends with a proposal for a utopic society.

Particularly successful among these were the imitation of Petrarch and the use of Greek and Roman mythological allusions, as practiced by the Academia Antártica literary group in Lima in the 16th and 17th centuries.

There were various splinter groups among the Avant-Gardist poets, whose major exponents were Xavier Abril, Alberto Hidalgo, Sebastián Salazar Bondy and Carlos Germán Belli.

Realism is also the province of the major luminary Mario Vargas Llosa, while Alfredo Bryce Echenique incorporated new narrative techniques within the genre.

Some of the most notable names in poetry are Jorge Eduardo Eielson, Carlos Germán Belli, Antonio Cisneros, Wáshington Delgado, Marco Martos.

Also, it is relevant the work of new Peruvian authors as Jose Pancorvo, Jorge Eslava, Rossella di Paolo, Domingo de Ramos, Odi González, Ana Varela, Rodrigo Quijano, Jorge Frisancho, Mariela Dreyfus, Gonzalo Portals, Alexis Iparraguirre, Gunter Silva Passuni, Pedro Félix Novoa, Félix Terrones, Lorenzo Helguero, José Carlos Yrigoyen, Montserrat Álvarez, Ericka Ghersi, Roxana Crisólogo, Rafael Espinosa, Miguel Ildefonso, Ana María García, Alberto Valdivia Baselli, Grecia Cáceres, Xavier Echarri, Martín Zúñiga, among others.

First page of the Chrónica del Perú by Pedro Cieza de León
First page of the Primer nueva corónica y buen gobierno of Guamán Poma de Ayala.
Adolfo Vienrich writer of Tarmap Pacha Huaray .
Cesar Vallejo , modernist in Los Heraldos Negros and vanguardist in Trilce