[4][5][6][7][8] Meller's work is heavily influenced by philosophy, cinema, visual fashion artistry, Graceland by Paul Simon and her grandmother.

[14][15] The first time she performed onstage was at a summer vacation Club Med contest in the south of France where she came second and won a pink milkshake.

[19] Speaking of her departure from Terry Poison, Meller said that the decision to leave left her "liberated" and filled with "feminine power.

Top tier photographers that have worked with Meller include Mario Testino, Ellen Von Unwerth, Valerie Phillips, and Jean-Baptiste Mondino, for publications including Vogue US, Interview, Time, V, The Guardian, i-D, Vice, Paper, Evening Standard, NME, Vanity Fair, W, Flaunt, Wonderland and DAZED.

[11] When speaking to Paper Magazine about her artistic mission, Meller referenced Stephen Hawking's theory and said there's "a multiplicity of realities at the same time.

[36] Meller is regularly seen with pink cheeks, blonde pigtails, bonnets, leotards and whimsical clothing in a childlike lolita look.

[10] When asked by Flavour Magazine if it's important to Meller that there is a deep message to her songs she responded; "Not really, I’d like people to have fun listening to my music.

[39] Before filming a video, Meller arrives at least a week in advance to scout for local characters to cast and include in her destiny premise.

Inspired by her grandma, a handkerchief and hand cast are often repeated in her videos to capture the feeling of overcoming and healing in life.

[13] The song is based on philosopher Zizek's quote "love your symptom", which Meller takes to mean use what holds you back in life and make it your purpose - a backpack of devotion.

[40] The 2014 video for 'NYC Time' was directed by A.T. Mann and Napoleon Habeica and features Meller being carried by her friend, Justin Elephant through New York, a forest and other settings.

[43] Its colonial aesthetic divided opinion as Meller danced in scanty costumes alongside locals and giraffes which drew some questions about if it was unsettling that such a community was being used as "video meat" as The Evening Standard reported.

[12][21][10] The video for 'Icebear', a rework of the song by 80's German band Grauzone, is shot in a snow covered landscape inspired by the work of Andrew Tarkovsky and Ingmar Bergman and directed by A.T.

[46] Special permission needed to be granted by scientists for Meller to be allowed to swim in famous pink lake in Senegal, and in return she was required to provide a sample of the water.

[21] In the video for 'The Flute', Meller travelled to Mongolia to find a tribe of blush cheeked girls that she had once seen in a photo around the time she suffered the traumatic sunburn.

Mellor heard the song and added the lyrics about the pain of her relationship break-up that occurred during the early days of the pandemic.

[49] Meller studied postgraduate philosophy at the Sorbonne in Paris and the University of Tel Aviv where her thesis was about the sublime and psychosis, inspired by the works of Schiller and Kant.