A pupil of Peter the Peloponnesian, he served the Ecumenical Patriarchate of Constantinople as Domestikos (c. 1771–1789), Lambadarios (1789–1800), and Arch-cantor (1800–1805).
There, he began studying music and quickly became a virtuoso of the pandouris and the Arabian flageolet (ney).
Peter rose to a number of prominent positions in the Ecumenical Patriarchate of Constantinople, known at that time as the "Great Church of Christ," culminating in his appointment as Arch-cantor in 1800.
He completed both known books of Peter the Peloponnesian, the Anastasimatarion, composing the missing Kekragaria with the incidental Stichologia, and the Heirmologion of Katavasies, adding Heirmoses standards for several holidays.
[2] He composed many chantings of Priests' Art (Greek: Παπαδική), such as the Κοινωνικά των Kυριακών (three stops) and some of the Ενιαυτός, eight Cherubic Hymns in all modes, Doxologies, two Theotokia, eight Timioteres (Greek: Τιμιωτέρες) for all modes, the Νεκρώσιμος Άμωμος, and some others.