Phil Tippett

Phil Tippett (born September 27, 1951) is an American film director and visual effects supervisor and producer, who specializes in creature design, stop-motion and computerized character animation.

[3] After completing a bachelor's degree in art at the University of California, Irvine, he went to work at the Cascade Pictures animation studio in nearby Los Angeles.

In 1975, while still working at Cascade Pictures, Tippett and Jon Berg were hired by George Lucas at Industrial Light & Magic to create a stop-motion holographic chess scene for the original Star Wars film.

[4] When Star Wars was being released in theatres, in 1977, Joe Dante and Jon Davison approached Tippett to create the fish for Roger Corman's Piranha.

[8] In 1991, Tippett was hired to create the dinosaur effects for the Steven Spielberg blockbuster Jurassic Park using his go motion technique made famous in the film Dragonslayer.

[10] Work done on Jurassic Park resulted in the development by Tippett Studio's Craig Hayes of the DID (Dinosaur Input Device - as described by ILM in Disney+ documentary Light & Magic, S1 episode 6) which was pivotal in the transition from stop motion to computer generated animation in bringing creatures to life.

Tippett is also the subject of a humorous internet meme regarding his credit in the film ("Dinosaur Supervisor"), which is displayed with the tagline "One job, Phil!

"[12] In 1995, Tippett Studio was hired to create the giant, hostile alien arachnids in Paul Verhoeven's adaptation of Robert A. Heinlein's classic science fiction novel Starship Troopers.

Because of the intensity of his involvement, and his ability to pre-visualize the hordes of teeming arachnids, Verhoeven has credited Tippett with co-directing the large-scale battle sequences for the film.

In 2000, Tippett joined director Ivan Reitman as the visual effects supervisor on the DreamWorks science fiction comedy Evolution.

In 1990, Tippett began work on an independent animated film, Mad God; but as he became involved in establishing his own studio, he set the project aside.