Phyllis Dalton

[1] After the outbreak of World War II she began training as a Wren at the code-breaking facility Bletchley Park which she said she found to be "unbelievably boring".

[2] In 1946, after being "demobbed" her grandmother entered her into a competition at Vogue Magazine where she won the opportunity to work as an assistant in the wardrobe department at Gainsborough Studios in Islington.

[3] Once there, she began cutting her teeth on films like Brian Desmond Hurst's A Christmas Carol; Alfred Hitchcock's The Man Who Knew Too Much and on Anatole Litvak's Anastasia.

[citation needed] Dalton gained notoriety as a costumer in the latter part of the 1950s, making a name for herself on films like Island in the Sun (1957), directed by Robert Rossen, starring James Mason and Joan Fontaine; and Our Man in Havana (1959), directed by Carol Reed, starring Alec Guinness and Noël Coward.

A few of the other stars who have worn her creations include Elizabeth Taylor, Kim Novak, Maggie Smith, Emma Thompson, Robin Williams, Keanu Reeves, Denzel Washington and Michael Palin.

Peter O'Toole in one of Dalton's more famous costumes for Lawrence: the sheikh's white robes and keffiyeh given to him by Sherif Ali. Lawrence of Arabia (1962)
Julie Christie in one of Dalton's award-winning designs for Dr. Zhivago (1965)
Dalton's costumes for Montoya, Buttercup and Westley for The Princess Bride (1987) on display at the EMP Museum , Seattle