Fifteen years later, he reconsidered and retrieved a copy of the score from a friend and started making revisions.
[citation needed] The new quintet is a mixture of Dvořák's personal form of expressive lyricism with elements from Czech folk music.
The first movement opens quietly with lyrical cello theme over piano accompaniment which is followed by a series of elaborate transformations.
The slower trio section of the scherzo is also derived from the furiant theme, with the piano and violin alternating between the main melodies.
In the coda, Dvořák writes tranquillo[3] for a chorale-like section, which features the theme of the movement this time in augmentation and played pianissimo, before the pace quickens with an accelerando, and the quintet rushes to the finish.