Cotten taped a weekend show at the Bluebird Cafe and, after his death, his wife gave the tapes to Randy Bachman of Guitarchives Records.

[1] In his review for Allmusic, music critic Dave Nathan describes Breau's "transformation of Bill Evans' piano technique to the guitar.

"[2] In reviewing the release for JazzTimes, critic Jim Ferguson wrote "This isn't a flawless recording: there's a modicum of tape hiss and fretboard/ string clicks in the background.

That having been said, the sound is clear, with Breau's occasional grunts and groans attesting to the relaxed setting and receptive audience that no doubt contained many Nashville pickers looking for a guitar lesson... Lenny's playing, though, was never standard.

Throughout, he conjures many of the stylistic trademarks that have made him a veritable legend among guitarists: unique extended chord voicings, rippling octave harmonics and virtuosic single-note lines.