[1] The preface described "the design of this publication to present full descriptions and elaborate pictorial delineations of the scenery characteristic of all the different parts of our country.
Their illustrations provided a tour of nineteenth century America, unspoilt and pastoral, its centres of commerce, ports, architecture and natural treasures.
In a modern (2001) treatment of the work, Sue Rainey, who is a historian of American graphic arts and has a particular interest in the artists who drew landscapes and cityscapes for periodical and book illustrations, wrote "As the first publication to celebrate the entire continental nation, it enabled Americans, after the trauma of the Civil War, to construct a national self-image based on reconciliation between North and South and incorporation of the West."
His meticulous attention to detail was appreciated by publishing houses such as Appleton's and Harper's, and also by the Continental Bank Note Company who employed him to produce plates for the printing of currency.
The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.