Pier Jacopo Alari Bonacolsi

Pier Jacopo Alari Bonacolsi (c. 1460–1528), called L'Antico by his contemporaries, and often Antico in English, the nickname given for the refined interpretation of the Antique they recognized in his work, was a 15th- and 16th-century Italian Renaissance sculptor, known for his finely detailed small bronzes all'Antica—coolly classicizing, often with gilded details, and silver-inlaid eyes, a refinement that is found in some classical and Hellenistic Greek bronzes.

Gianfrancesco had recently come into possession of the fief, and a refined court gathered round the young couple, of personalities both intellectual and artistic: Ludovico Ariosto, Bernardo Tasso, Matteo Bandello, Baldassare Castiglione and l'Antico.

Bonacolsi found patrons after 1490 above all in the brilliant court at Mantua of Isabella d'Este, who married Francesco II Gonzaga in that year.

His well-knit cleanly defined torsos recall the art of Andrea Mantegna, the giant artistic personality of contemporary Mantua.

His cool, refined, slightly precious works were designed for close appreciation in the privacy of a courtly studiolo.

Antico: Mercury . Bargello Museum, Florence.
Meleager , part-gilded bronze with silver-inlaid eyes, presaging the elegant and androgynous aesthetic of Mannerism ( Victoria and Albert Museum )
Venus Caritas , Venus as spiritual love ( Walters Art Museum )