Pierre-Luc-Charles Cicéri

[2] In addition to his work at the Paris Opera, he designed for many of the leading theaters in Paris, including the Odéon, Palais-Royal, Comédie-Française, Théâtre des Nouveautés and the Théâtre de la Porte Saint-Martin.

[3] Cicéri designed the set for the first performance of La belle au bois dormant ("Sleeping Beauty"), which opened on 2 March 1825 at the Théâtre de l'Académie Royale de Musique in Paris.

For La belle au bois dormant Ciceri created a quasi-cinematic motion effect onstage utilizing a treadmill for the actors in front of a moving cyclorama.

[2] He also designed the sets for a ballet version of Jocko ou le Singe du Brésil ("Jocko or the Monkey of Brazil") by Frédéric-Auguste Blache, with music by Louis Alexandre Piccinni.

The ballet was first performed at the Théâtre de la Porte Saint-Martin in Paris on 16 March 1825.

Pierre-Luc-Charles Ciceri , photograph by Nadar
Set design for Act III of Daniel Auber 's Gustave III (1833)
Watercolor sketch for the set of the ballet, Manon Lescaut , by Jean-Louis Aumer (1830)