His father worked with his brother, Jehan or Jean Levesville, on the reconstruction of the choir and then the transept of the Cathédrale Sainte-Croix d'Orléans.
Having made an engraving of Rome kept in the print room of the Bibliothèque nationale de France, circa 1595-1600, signed Petrus Levesville Aurelianensis Inventor Romae, it is assumed he went to Italy for further training.
[2] In 1599, the manufacture of the Basilique-cathédrale Notre-Dame-et-Saint-Privat de Mende[3] signed a contract with Jean Despeysses to rebuild it following the demolitions by the Protestant troops of captain Merle in 1579.
Instead of a rose, Jean Despeysses was accused of having made "a big hole without shape" where it was "impossible to put any glass [...] because of its deformity".
[7] On 22 September 1617, Levesville was chosen preferably by Marcel Le Roy, a Parisian architect, to build the vaults of the choir of the Cathédrale Sainte-Marie d'Auch.
[9] Some historians believe that he might also be one of the authors of the château du Rieutort [fr] at Roquelaure, built for the same, erected from 1619 because his signature can be seen as a witness on a contract.
[10] In 1622, he was called by the Confrérie royale des Pénitents Bleus to build their chapel, modern Église Saint-Jérôme de Toulouse [fr].
Construction of the foundations began but was abandoned in 1629, on the orders of cardinal Richelieu wjho asked for the restoration of the Cathédrale Saint-Pierre de Montpellier.
In February 1627, he gave the plans and models of the convent of the nuns of Saint John of Jerusalem or of Malta, installed in the Saint-Cyprien suburb.