The canvas is signed in the lower right corner on a rock according to the usual formula the artist used at the time: "Jusepe de Ribera español 1633".

The earliest of his extant Pietás dates to 1620 (National Gallery) whilst two others were produced in 1633 (Thyssen Museum) and 1637 (Charterhouse of San Martino, Naples).

On the right, John the Apostle supports the subject's back while the grieving Mary Magdalene kisses Christ's feet.

In the center is Mary with a face ravaged by pain looking to the sky and placing her hands together in prayer.

At the upper right, the face of Joseph of Arimathea emerges from the darkness, veiled by the chiaroscuro technique.