[2] A deluxe edition with four bonus tracks and a special red album cover with an autograph from each band member was made available at Target stores the same day.

[6] In addition, Erlewine found that "as good as the by-the-books ballads and rocking country are, the moments when the façade slips a bit make this worth hearing as an album and not a collection of singles.

[13] At Rolling Stone, Will Hermes found this album to contain "goth-iness", which is because the siblings "are remarkably death-obsessed", and called this release a "perky, rocked-up country-pop set.

"[11] At The Oakland Press, Gary Graff exclaimed "Step aside, Taylor, and put the kerosene down, Miranda — Kimberly Perry is about to become country music’s new man-slaying warrior for women done wrong" on the band's second offering.

"[12] Furthermore, Bjorke contended that "we might be witnessing the next country/pop crossover to superstardom a la Taylor Swift" because they "could very well be...a Pop band if they didn't love mandolins, banjos, fiddles and steel guitars as much as they do (must be that East Tennessee upbringing).

"[12] At the USA Today, Jerry Shriver stated this "robust effort from the sibling trio centers on obsessive love, and Kimberly Perry sounds unhinged and revenge-thirsty", yet the album has "moments of vulnerability, then it's back to feeling all apocalyptic.